![]() Haunt You’s rumbling guitars cry out for blood-and-guts power chords that never arrive and, while it’s fun in a West End sense to see the chorus become a horse and carriage using their bodies and a couple of umbrellas, it’s nothing compared to witnessing songs come alive between a singer and their band. The Audiolab is very well made and, because it was an integrated amp before it was a. If you simply need an amp, the 6000A is in the range but if you’re looking to create a system for the first time, the 6000A Play looks a solid buy. The absence of live musicians – everything is performed to tape – exacerbates the disconnect. The positioning of the 6000A Play is quite canny in this regard. There is a surge of excitement whenever she slips into choreography alongside her dancers, for Unhealthy’s country stomp or Rockabye’s trop-house throwback, that isn’t there while she lounges at a cafe table, or on a swing garlanded with flowers. Here, it becomes apparent that there is a tipping point between commitment to the bit and the feeling that Anne-Marie the pop star is being sacrificed at the altar of a bigger idea, which is a shame because she’s quite a good pop star. Moments later, she crouches at the back of the stage in darkness, singing You & I during an extended dance sequence while the bedroom set is struck. Each word is yelled back by a young, boisterous crowd – every other head wears a light-up tiara – but there is quiet as Anne-Marie performs most of Perfect to Me with her back to the room, addressing herself in a mirror.
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